After years of following the tragic, suspenseful fight against tyranny and inhumanity, the dystopian series based upon Suzanne Collins´ trilogy comes with “The Hunger Games – Mockingjay Part 2” to an end as true as the first part of the whole franchise.
Overall, the mega-blockbuster is a hit. It has everything that theatre audiences love: the action, the love-triangle and of course the happy ending. Though, through the brilliant acting job by Jennifer Lawrence, admirers of the art of visual storytelling won´t be deceived. Her anti-heroism does not losen up until the very last scene – which very different and somehow better than in the book – seems to highlight her true, but deeply hidden motive of her fight and to finally crown her with a heroism which is much more personal and everyday-like: to love.
However, let´s not forget some incoherences in the story-telling of the motion picture. While in the first part of “Mockingjay” Katniss seemed to be more obsessed about Peeta than anything else going on around her, his presence in the second installment made her mostly want to kill him until she suddenly changes her mind and loves him. Their difficult relationship was rather poorly portrayed and explained and is only sustained by the fact that the audience knows they´ll end up together. This is enhanced by the way Gale is changing from the strong, powerful hunter to the vulnerable, weak and coward-like soldier. Especially the scene where Katniss appears to be a reenactement of President Snow displays the shift of power.
In contrast to the previous films, “The Hunger Games – Mockingjay Part 2” features multiple perspectives instead of focusing on Katniss´s which at multiple occasions makes it difficult to fully identify with the hero and thus understand her deep motives and feelings. Expect her one and only outburst towards the end, the “Mockingjay” seems to be getting colder and harder every second, only displaying emotion as a way to make a point instead of really feeling the pain.
But one element has been brilliantly achieved with the last part: the paradoxic parallel opposition between Katniss and Snow expressed through their gradual approach in their thinking-patterns. While they are very different from each other in their way of being – good versus evil, hero versus tyrann, human versus cruel – they each represent one pole of morality which comes to a final meeting point during the scene in the rose garden. Katniss is the expression of the other extreme of Snow, thus filling his place for the better and thereby realizing that she or anybody else is not better than he is. Instead, she finally sees the similarity and understands that those who want to be better than him, don´t want to be different, resulting in her decision to assasinate President Coin.
This episode which is thinly described in the book is greatly shown in the visual adaptation making “The Hunger Games – Mockingjay Part 2” a honorable end of the franchise.
To conclude, my tip for you is: Go see it and feel it. May the goosebumbs always remember this great cinematic achievement.